Wednesday, 24 August 2016

A 'Little Berg' for the Mayor's Parlour

All this will make a lot more sense if you begin here




'Big Berg' 178 cm x 178 cm Gloucester Gate Regent's Park 

The vibrant colours- of what turned out to be the spring blossom in Adrian Berg's picture of Gloucester Park- and the size of the canvass led me to ask Steve about the picture. The first thing he told me was that the artist didn't mind which way up you hung the painting. Adrian Berg had a studio overlooking Regent's Park and he had painted the scene many times from different stand points and at different seasons.  It was clear that this canvass came into the category of  'too valuable' to borrow but Steve told me that there was a smaller version that we could consider.

'Little Berg'  61 cm x 76.5 cm gifted to The Atkinson by the Contemporary Arts Society 1986

 Berg was brought up in the heart of the British establishment; prep school, public school (Charterhouse), Gonville and Caius College, Cambridge where he embarked on a degree in Medicine before deciding to switch to English. He then spent a year at Trinity College, Dublin, taking a Higher Diploma in Education. Two years of National Service followed and it was only then, in 1955, that he began to train as a painter, at St Martin’s, Chelsea and finally at the Royal College of Art.
In 1961 Berg set up his studio in Gloucester Gate, overlooking Regent’s Park, which he occupied for almost a quarter of a century and where he made the rich, exquisitely coloured Regent’s Park paintings for which he is well known.
He was a renowned teacher and amongs his pupils was Tracy Emin who allegedly called him 'Bergy Baby". He was a quiet man who did not seek publicity -unlike his some of his pupils. He died in 2011 you can find his obituary here He was elected to the Royal Academy in 1992.
This was an occasion when knowing more about the artist and the picture helped. When we went back to the Mayor's Parlour we agreed that 'Little Berg' would be the picture you see facing you on entering the room.

Tuesday, 23 August 2016

Mayor's number one choice: Peter Layzell, Three figures in a gallery

This will all make more sense if you start reading here
Peter Layzell, Three Figures in a Gallery
As we entered the storage room in The Atkinson one picture at the farthest end of the first rack and the edge of my vision made me pause and look. Steve Whittle had prepared a long list of options for me to consider and was already sliding out an English  Impressionist landscape of Ormskirk, I had logged the modern painting with the women in the vivid pink dress and wanted to look at it more closely. After we had worked our way through more English Impressionists and  I had been shown my folly in considering Samuel Lawson Booth we at last returned to the modern painting in the first rack.
 
It was painted by the Lancashire based artist was Peter Layzell who was Portrait Artist in Residence at The Atkinson in 2008 and this picture is from the same year. In a couple of interviews one with Lancashire Life and one with Jackdaw Magazine-a publication described as taking a satirical, fun poking review of the Arts world- Layzell has discussed his time in Southport. He commuted daily from Lancaster and when asked if the daily time spent on public transport was wasted he replied: 'Not a bit of it! “I was so taken with the exercise of capturing a likeness in a very short time that I made indelible sketches with a pen, of  no less than four hundred fellow train passengers, many of whom were completely unaware that  their image had been recorded.'
 
I am not an art critic and so I cannot fully analyse why this picture caught my attention. It was not just because of the obvious craftsmanship, the attention to detail or the vivid colours, there was something else which made you want to stop and look more carefully. In his interviews the artist discusses his approach:
 
 
Peter is predominantly a figurative painter who has chosen to work with oil paints, preferring to paint onto smooth wood panel rather than canvas,  a combination which he feels allows  him to work the paint a little faster across its surface. He works slowly and meticulously in a small studio at his home, focusing painstakingly on detail and using strong colour. It can take as long as a year to finish a single work, though he may have a number of paintings on the go at any given time.
.Challenged with a question about whether a modern world awash with images of people needed  yet more of them created from paint, he asserts that painting is not dead, that it has been a “reliable tradition”, that the “transformative power”  of paint was something everyone can connect with, and that painting involved an “intensity of looking” that he feels is due for revival in the world of contemporary world.
 
I am becoming increasingly aware of the importance of painting in a virtual world where computers monopolise the workplace and manual dexterity is replaced by push-button stupidity. Picking up a pearl of colour on the tip of a brush and applying it with thought and sensitivity to a hard wooden panel seems to me an altogether more real and satisfying sort of activity.
 
Of all the pictures I viewed that afternoon this was my runaway first choice. Once the parlour is redecorated it will hang by the entrance in the foyer. Steve pointed out that the door in picture has a similar architrave to the one in the parlour.  I certainly hope people will pause and study the picture when they come to visit.






Monday, 22 August 2016

Picking pictures for the Mayor's Parlour in Southport






Yesterday Elspeth and I acted as rent collectors. The Mayor is required to collected a dozen red roses from the charity who run the Flower Show in lieu of rent for Victoria Park. Today I undertook another of the more unexpected duties of the Mayor, namely to pick pictures to hang in the Mayor's parlour in Southport. I understand that the duty used to be discharged annually by the new Mayor but in recent years the practice has lapsed somewhat. In truth the same pictures have hung there for so long I doubt if anyone has looked at them for a good while and of course if they were to be taken down they would reveal a rather obvious need for redecoration. Clearly my first move was to get agreement that the parlour needed redecorating-which given the state of the room I managed to achieve even in these austere times. My next task was to acquire some new pictures.

As many readers will know The Atkinson is home to our art gallery. Over the years there has been an active programme of acquisitions and donations. I booked an appointment with the Curator of Pictures, Steve Whittle, to see what I could find. Steve had done his homework and had visited the Town Hall to view the 'space'. It is a mid C19th building and the pictures that hang there broadly come from the period. I was keen to have a change. Clearly there were constraints on my choice, even if I had wished to have a Lowry or Sir John Collier's Lilith from The Atkinson collection they are too valuable to be lent. Equally the panels where the picture will be hung do rule out some of the larger pictures.

Apart from wanting a change I was keen to inject some local interest into my choices. My first thought was that a past Mayor, Samuel Lawson Booth, was a well know artist. He is in the 'rogues gallery' of past mayors in the ante room to the Council Chamber. I thought it might be a good idea to show to visitors who come on tours of the Town Hall. Visiting school children usually pick him out as he is the only one wearing knee britches and sporting a sword. He seems to have majored on large scale scenes, hills and mountains, Steve showed me his 'Holy City' by way of persuading me not to choose him. I guessed he donated that particular work to The Atkinson because he couldn't find a buyer. He clearly didn't always paint on that scale as he did have a royal commission to paint a picture for the library of Queen Mary's dolls house.

It was becoming clear what I couldn't have so now is the time to explain the choices I did make: There are nine pictures and I will do them in separate postings beginning with my favourite by a modern artist who spent time as Portrait Artist in Resident at The Atkinson, Peter Layzell.

Peter Layzell, Three Figures in a Gallery
As we entered the storage room in The Atkinson one picture at the farthest end of the first rack and the edge of my vision made me pause and look. Steve Whittle had prepared a long list of options for me to consider and was already sliding out an English  Impressionist landscape of Ormskirk, I had logged the modern painting with the women in the vivid pink dress and wanted to look at it more closely. After we had worked our way through more English Impressionists and  I had been shown my folly in considering Samuel Lawson Booth we at last returned to the modern painting in the first rack.
It was painted by the Lancashire based artist was Peter Layzell who was Portrait Artist in Residence at The Atkinson in 2008 and this picture is from the same year. In a couple of interviews one with Lancashire Life and one with Jackdaw Magazine-a publication described as taking a satirical, fun poking review of the Arts world- Layzell has discussed his time in Southport. He commuted daily from Lancaster and when asked if the daily time spent on public transport was wasted he replied: 'Not a bit of it! “I was so taken with the exercise of capturing a likeness in a very short time that I made indelible sketches with a pen, of  no less than four hundred fellow train passengers, many of whom were completely unaware that  their image had been recorded.'
I am not an art critic and so I cannot fully analyse why this picture caught my attention. It was not just because of the obvious craftsmanship, the attention to detail or the vivid colours, there was something else which made you want to stop and look more carefully. In his interviews the artist discusses his approach:
Peter is predominantly a figurative painter who has chosen to work with oil paints, preferring to paint onto smooth wood panel rather than canvas,  a combination which he feels allows  him to work the paint a little faster across its surface. He works slowly and meticulously in a small studio at his home, focusing painstakingly on detail and using strong colour. It can take as long as a year to finish a single work, though he may have a number of paintings on the go at any given time.
.Challenged with a question about whether a modern world awash with images of people needed  yet more of them created from paint, he asserts that painting is not dead, that it has been a “reliable tradition”, that the “transformative power”  of paint was something everyone can connect with, and that painting involved an “intensity of looking” that he feels is due for revival in the world of contemporary world.
I am becoming increasingly aware of the importance of painting in a virtual world where computers monopolise the workplace and manual dexterity is replaced by push-button stupidity. Picking up a pearl of colour on the tip of a brush and applying it with thought and sensitivity to a hard wooden panel seems to me an altogether more real and satisfying sort of activity.
Of all the pictures I viewed that afternoon this was my runaway first choice. Once the parlour is redecorated it will hang by the entrance in the foyer. Steve pointed out that the door in picture has a similar architrave to the one in the parlour.  I certainly hope people will pause and study the picture when they come to visit.

'Big Berg' 178 cm x 178 cm Gloucester Gate Regent's Park 

The vibrant colours- of what turned out to be the spring blossom in Adrian Berg's picture ofGloucester Park- and the size of the canvass led me to ask Steve about the picture. The first thing he told me was that the artist didn't mind which way up you hung the painting. Adrian Berg had a studio overlooking Regent's Park and he had painted the scene many times from different stand points and at different seasons.  It was clear that this canvass came into the category of  'too valuable' to borrow but Steve told me that there was a smaller version that we could consider.

'Little Berg'  61 cm x 76.5 cm gifted to The Atkinson by the Contemporary Arts Society 1986
 Berg was brought up in the heart of the British establishment; prep school, public school (Charterhouse), Gonville and Caius College, Cambridge where he embarked on a degree in Medicine before deciding to switch to English. He then spent a year at Trinity College, Dublin, taking a Higher Diploma in Education. Two years of National Service followed and it was only then, in 1955, that he began to train as a painter, at St Martin’s, Chelsea and finally at the Royal College of Art.
In 1961 Berg set up his studio in Gloucester Gate, overlooking Regent’s Park, which he occupied for almost a quarter of a century and where he made the rich, exquisitely coloured Regent’s Park paintings for which he is well known.
He was a renowned teacher and amongs his pupils was Tracy Emin who allegedly called him 'Bergy Baby". He was a quiet man who did not seek publicity -unlike his some of his pupils.He died in 2011 you can find his obituary here He was elected to the Royal Academy in 1992.
This was an occasion when knowing more about the artist and the picture helped. When we went back to the Mayor's Parlour we agreed that 'Little Berg' would be the picture you see facing you on entering the room.







Sunday, 21 August 2016

Once again a spectacular summer success -Southport Flower show

The Flower Show leases the Victoria Park from the Council and so once a year at the show the Southport Flower show hands over the rent. Since 1987 that rent has been set at a dozen red roses. The Chair of the Flower Show, David Rose, is pictured discharging that obligation. This year as Mayor I collected the rent along with my daughter Elspeth who was on Mayoress duty.

The Mayor of Southport gave a trophy awarded this year to the National Vegetable Society (Lancashire District). They had an amazing display of vegetables that featured in a national Broadsheet newspaper earlier this week. I spoke to several of the people on the stall all of whom hailed from around Pendle. The group won the trophy last year and had gone back home to check out the history of the trophy. It was given in 1928 by the then Mayor of Southport Christiana Hartley. The Hartley family-makers of the famous jam-moved to Southport from Colne (part of Pendle today) and were busy as philanthropists in both bits of Lancashire. As every Southport resident knows Christiana was the first woman Mayor of the town and endowed, among other things, the maternity hospital . The folk from Colne had a similar tale to tell. If you look at the trophy you will see the Southport Coat of Arms
Another, of many impressive silver cups, went to Holden Cough nursery also from Lancashire for a most magnificent display in the main Floral Marquee

As reader know I have an allotment so I take a special interest in the 'edible exhibits' at the show. This year there was an excellent stand from the NW section of the National Allotment Society who were doing a great job promoting this activity


Saturday, 20 August 2016

The Brilliant Birkdale Village Fayre


Birkdale Village Summer Fayre was an outstanding success. In brilliant sunshine people flocked to the village where all the traders had worked together to show the village to its best advantage. As a Birkdale councillor I am often in the village but I have never seen it so busy or vibrant. The organisers did a magnificent job and it was great to see all the extra attractions they had laid on with live music, fairground rides, vintage cars and motorcycles. But at the heart of the fayre were the local traders showcasing their business, nobody who came could have been other than impressed.

I had the opportunity to visit all the stalls and taste some of the food that they had laid on. All the Birkdale Village favourites were there; cheesemongers, fishmongers, greengrocers, butchers, restaurants and bakers amongst them. Birkdale is on its way to being the premier gourmet village of the north. Few places can rival the variety or excellence that Birkdale Village can now offer. But it was not just the food outlets that had contributed all the traders had pulled out all the stops. They have set themselves a very high standard and I am already look forward to the next event.



An event like the Village Fayre takes a lot of hard work and voluntary effort. It was good to see so many people joining in. Among the volunteers providing stewarding were the local Rotary Club and councillors. Local charities including Queencourt Hospice and MacMillan Cancer Care were also supporting the event.

The Friday before the Fayre I had been invited on board a Portuguese naval boat that was visiting the port. The sailors were part of a NATO deployment that was operating in the northern European waters. After visiting Liverpool the six ships that made up a multi-national group were going to Reykjavik and later on to the Baltic Sea. Whilst in port some of the crew had obtained tickets to see Everton play and other were keen to experience the night time economy. Everywhere I go there appears to be cake and the visit to the Portuguese navy was no exception. On board they had baked a large cake for the occasion decorated with the alliances insignia.

My next engagement will be the Southport Flower Show and I am greatly looking forward to the premier event of the summer. 

Tuesday, 9 August 2016

Spanish and Portuguese navy visit Liverpool as part of NATO

It is hard to live so close to a port like Liverpool without being aware how important to the whole community are the ships that visit. Big cruise ships bring thousands of visitors to the whole region. The enormous container ships docking at the new Port of Liverpool docks in Bootle are crucial to the economy of the north. But there is one other category of visitors that come to us from the sea who are extremely hospitable and they are the navies of NATO.

Last week two ships deployed on NATO duties docked in Liverpool; one Portuguese and one Spanish.They were part of a deployment that was on its way to Reykjavic before returning to Edinburgh.

I was invited on board the Portuguese ship. As this was NATO operation it was by definition multi national. The Spanish officer was commanding and was to be joined by several other boats from other NATO members and together they were spending time in the alliances northern waters including the Baltic.

It was clear how the crew members I met fully understood the value of working together with other nations and how that enhanced their contribution.  I have also discovered how generous the navies are when it comes to hospitality and (no doubt because we were in the UK) there was cake.
But cake was not the only food, there was lots of fish and seafood all laid out in a most spectacular fashion
The next day the sailors were going ashore and several I met had tickets for the Everton home game. Among the other guests were the usual dignitaries but it was good to see that some retired men from the British navy had also been invited. Danielle-Louise Thomas had been invited and she didn't have to sing for her supper


At 9.00pm the two ships lowered their flags

Thursday, 4 August 2016

A funeral home, a brewey and a street food van


Small businesses are the life blood of our economy. One of the real delights of recent months has been to meet local people who have taken the plunge and started up their own enterprises. At the Formby Festival I met Kirsty Fletcher who has started trading with a street food van serving Mexican style Cuisine. Kirsty, from Ainsdale, certainly had many satisfied customers at the Festival.


Another local entrepreneur I have met is Neil Parker. Neil is a brewer from Southport and his Parker Cask Ales are proving a real success. It wasn’t so long ago that ‘real ale’ was under threat with the big brewers preferring to heavily promote keg lagers and beer which lacked individuality. Local ales were phased out in favour of national brands. Consumer demand brought forth a revolution in the industry with the establishment of new micro-breweries providing real choice and variety. Parker Brewery provides an innovative ‘cask ales at home’ service which was greatly appreciated at my daughters 21st birthday party recently!


My final example of a new small business comes from Marshside. On Wednesday Mr and Mrs Ruston invited me to open their new funeral home. The couple has spent many years working in the sector and are determined to offer a quality service to the bereaved. This is another industry which is dominated by a small number of large businesses so it is very welcome to see a new local family firm offering a real alternative.


From new businesses to new citizens. One of the duties of the Mayor is to preside at the ceremony to mark the granting of British citizenship. I regard it as a great privilege to play a part in these important events. This week three people had completed all the exhaustive procedures required to gain citizenship from Nepal, Australia and Zimbabwe.


Tomorrow I am off to meet the Portuguese Navy who have a boat berthed on the Mersey and at the weekend I am on home territory as I have been invited to Birkdale Village Summer Fayre on Saturday.